When I visited Detroit last summer, my first impression was that it would make an amazing setting for a horror movie. I’ve never driven through such a large city that seemed so empty, void of both cars and people. And it wasn’t just a regular kind of empty. It felt stuck in mid-stride, as if it were suddenly but calmly abandoned.
When I heard someone actually had filmed a horror movie in Detroit, I was instantly on board. Honestly, just knowing that Detroit was the backdrop for It Follows was enough for me to know that I was going to enjoy the film. It was really just icing on the cake when the critics started raving about its fresh take on the genre, although I’m generally wary about any piece of entertainment that comes to me pre-hyped.
The basic premise of the film is fairly simple, and is laid out right there for you in the title. There is some… force. It’s not clear exactly what it is, whether it’s a creature or a spirit or maybe just fear personified. Once you’ve been cursed (more on curse transmission in a moment), this unnamed thing follows you. If it catches up with you, it will kill you. The only way to get it to stop following you is to pass the curse on to another person. But even then, you’re really not safe, because if the person you infected is killed by this force, then it will turn its attention back to following and killing you.
I should pause and say that I’m going to discuss some plot details and cinematography. While I wouldn’t consider them spoilers, if you want to go into the theater knowing nothing else beyond the trailer, here is your point to stop reading. Just know that if you’re a fan of horror (in particular psychological horror) I would recommend you see it, and see it on the big screen.
So, how exactly is this curse transmitted from person to person? Sex, naturally. I’ve been jokingly calling it an STD – Sexually Transmitted Demon. While it could come across as tired horror trope, there are a few reasons I think it doesn’t. For starters, there’s nothing gratuitous about any of the sex scenes. That’s not to say that there isn’t a fair amount of nudity in the film, but the nudity does not come from the people you would expect it from.
Second, while the characters are young they’re not teenagers (not all of them, anyway). They are not fumbling around, having their first sexual encounters. I think this is an important point, because your classic puritanical horror equates sex with loss of innocence but It Follows definitely does not. What it also does not do is introduce rape into the equation.
Jay (the main female protagonist, played expertly by Maika Monroe) is given this curse from a guy she’s been on several dates with. He doesn’t force himself on her, he woos her. He takes her out a few times and waits for her to initiate sex. It’s not exactly spelled out, but I get the distinct impression that consent is part of the package deal with passing along the curse. That, more than any other aspect of the sexual transmission, is why I would say that this movie is more than just groundbreaking horror – It’s mature horror.
The other main reason to go see this film (and see it in the theater) is the unbelievably delicious ambiance. It’s due in part to the Detroit setting, but all the choices in cinematography really come together to create something new and exciting. Visually, what I like most about the movie is that it’s totally unclear when it is supposed to take place. The interior home shots could be right out of the late 70s – heavy shag carpeting; wood-paneled television sets with dials and antennae; melamine trays, bowls, tea pitchers and glasses; landline telephones with long spiral cords.
But then again, one of their friends spends the entirety of the film scrolling through The Idiot from an e-reader shaped like a clamshell compact. They drink beer out of modern pop-top cans, iced coffee from Starbucks-esque plastic cups. The cars are classic, the wardrobe both vintage and contemporary. There are no computers in their homes, and aside from the appearance of one in the opening scene, no cell phones in their pockets. It takes place now, and yet it doesn’t. It has no definitive place in time.
The other essential component to setting the mood is the stellar soundtrack. All of the music in the film was composed and performed by an artist named Disasterpeace, and the movie would not be what it is without his contribution. I think the most apt comparison would be Air’s soundtrack for The Virgin Suicides (honestly one of my favorite albums, soundtrack or otherwise). It’s the kind of music that causes the hairs on your arms to stand up, that crawls slowly into your ears and makes its way to your brain. The music is a huge part of what makes seeing the movie in the theater imperative.
Considering it started in very limited release (and only just got wider release from some larger theater chains last week) if I were you I would haul ass to a theater and see It Follows while it’s still available to watch on the big screen. The film isn’t perfect, but the plot flaws are minimal and in my opinion overshadowed by the enormity of the concept and the symphonic complexity of the execution.